Melanie Grace

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  • From Lyric to Full Production

    From Lyric to Full Production

    People sometimes ask me how a lyric on a page turns into a finished song with a full orchestra or a horn section, so today I want to talk a little about the sound of this album, because the range of it is a huge part of what makes it feel new.

    Every song on Midnight Masquerade got its own world. Carve It Out is Danny Elfman-style whimsy, a music box that grows into a parade. Skeleton Twist is a 1960s sock hop with reverb-soaked surf guitar and honky-tonk piano. The title track is grand gothic opera, pipe organ and a soaring soprano. It’s Our Halloween Party is frantic new wave with a horn section playing sharp, percussive stabs. Bone-rattle percussion ties the skeleton songs together. Phantom Parade is a snare-driven funeral march. Reign of Shadows is the one time the full symphony and choir get to go completely monumental. Halloween T-Shirt Dad is loose, warm country-rock.

    Matching the arrangement to the story is half the fun and half the work, but getting both the lyrics and the musical atmosphere right requires a ton of deliberate thought. Take a track like Carve It Out—it wasn’t something that just fell together on the first try. Claude and I went back and forth, rewriting and refining lines again and again until every syllable matched the rising energy of the song. A gargoyle who longs to fly needs space and a single cello, not a wall of sound. A carnival needs a calliope that detunes as it winds down, and a ghost parade needs a snare drum and the feeling of something heavy passing by. It took endless tweaking to make sure the story and the music hit at the exact same moment, but when the sound and the words finally say the same thing at the same time, that is when a song really clicks into place.

    Here is why that range matters to the bigger mission. The reason Halloween music feels stuck is partly that we keep reaching for the same one or two sounds. This album deliberately spans surf rock, gothic opera, ska, country, electro-pop, and full orchestral choir, all under one roof, all still recognizably Halloween. Fresh music is not just new words. It is new sounds for a season that has been wearing the same outfit for a very long time.

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  • A Halloween Album for the Whole Family

    A Halloween Album for the Whole Family

    One of the things I set out to do with Midnight Masquerade was make a Halloween record a whole family could put on together, without anybody being left out or bored. That is harder than it sounds, and it is the main reason I built a full album instead of a single.

    If you have little ones, this album has a lot for them. Skeleton Twist has a real dance break they can do with their bodies. Goblin’s Fart is, well, a farting goblin, which is undefeated with the under-seven crowd. Headless Horseman and Monster Scare Off are story songs built to be acted out in the living room. The call-and-response choruses are made for a room full of kids shouting back.

    And if you are a grown-up who loves Halloween, there is plenty here for you too. The title track is a full gothic waltz. Phantom Parade and Reign of Shadows have real cinematic weight. Gargoyle’s Lament might make you a little misty. A Million Eyes is genuinely unnerving in the best way. It’s Our Halloween Party is for the adults on the porch after the kids are down.

    That mix was the whole design. A party where the four year old and the forty year old are both having a great time in the same room. Most Halloween music picks one audience. The little-kid songs are only for little kids, and the grown-up spooky stuff is too much for a five year old. I wanted a record that works for the whole car, the whole living room, the whole night.

    Put it on while you carve pumpkins this year and let it run start to finish. It was built to be the soundtrack to a real family evening, not just a track or two on shuffle. Speaking of pumpkin carving, you can also check out my Pumpkin Carving Party Playlist on Spotify!

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    If you’re looking for even more music to get into the spooky season, follow my Pumpkin Carving Party Playlist on Spotify. While my own songs aren’t on this one yet, it’s loaded with a ton of non-traditional Halloween tracks I love listening to every single year!

    Coming next: my Christmas album, A Folklore Christmas. Pre-save it on Spotify and it drops straight into your library on release day.

  • The Guest List: Every Creature at the Party

    The Guest List: Every Creature at the Party

    If Midnight Masquerade is a masquerade where every creature is invited, then let me hand you the guest list. Here is who shows up over the course of the night, and it is a wilder mix than any single Halloween song could ever hold.

    You have got your skeletons, of course, four of them. A headless horseman who only wants your candy. A vampire, a demon, a zombie, and a ghost holding a scare contest that goes hilariously wrong. A farting goblin and his patient vampire best friend. Two cryptid cousins, the Yeti and Bigfoot. A whole coven of waltzing witches. A haunted carnival barker. Ghosts marching in a phantom parade. A lonely gargoyle watching from the roof. A spider with a million eyes. And, at the very end, the strangest creatures of all, your own neighbors and one very stubborn dad in a costume t-shirt.

    What I love about this cast is the range. Some of them are here to make a five year old giggle. Some are here to give a grown-up a real chill. And a few, like the gargoyle, are here to break your heart a little. A good Halloween party has room for all of that, and that range is only possible across a whole album. A single song has to pick one creature and one mood. A record gets to invite everybody.

    That is really the whole idea behind making fresh Halloween music instead of leaning on the same few classics. The old songs each gave us one great creature. An album lets me throw open the doors and invite the entire monster world in at once, old favorites and new faces together, under one roof, for one night.

    Which creature is your favorite? Come tell me on socials. And follow me so you never miss a new release.

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  • The Skeleton Crew

    The Skeleton Crew

    There are four skeletons on this album, and I did not fully plan that, but I love it. Once I noticed, I started treating the bones like a running character across the whole record, which is exactly the kind of thread you can build in an album and never in a one-off single.

    A skeleton in a party hat chasing a the One Eyed One Horned Flying Purple, Peaople Easter away from Halloween at a carnival
    A playful skeleton chases a startled purple monster at a lively carnival

    Skeleton Twist is the dance craze, all clacking joints and a call-and-response dance break. Skeleton Fred is the pop-punk friendship anthem where two undead pals discover they share a name. Skeleton Tango is the elegant one who leaves an arm on the ballroom floor. And skeletons keep crashing into other songs too. A skeleton comes rattling down the track in Monster Scare Off and scares four monsters half to death. Even the album closer has two little boys dressed as skeletons, which is a sweet accidental callback to the whole crew.

    The thread that ties them together is a specific sound, a bone rattle made of wood blocks, castanets, and clacking percussion. I made sure that rattle shows up as a signature across the skeleton songs, so that even when the styles are completely different, from a sock hop to a tango, your ear knows a skeleton just walked in. It is a tiny recurring motif, and it makes the album feel like a world with its own rules.

    Skeletons are one of Halloween’s oldest images, and they have starred in some of its most famous old songs. I wanted to give them a fresh set, in four different styles, for a new generation of kids to rattle along to. Move over, old bones. These ones can twist, tango, and mosh.

    If you like a good rattle of bones, this album has a whole crew of them. Follow me so you catch every one.

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    One click for the road: pre-save A Folklore Christmas on Spotify and it will be waiting in your library the moment it launches.

  • Behind the Scenes: The Fun We Had Writing This Album

    Behind the Scenes: The Fun We Had Writing This Album

    Now that you have met all nineteen songs, let me pull back the curtain on how they came together. We had a genuinely great time making this record, and that joy, along with a whole lot of hard work, is a big part of why it sounds fresh

    A whimsical illustration featuring a dancing skeleton wearing a top hat, surrounded by various Halloween-themed characters such as ghosts, goblins, and witches, all cheering and enjoying the performance. The background features vibrant colors with a spotlight effect.
    Two cartoon yeti-like creatures walking outdoors at night under a full moon, surrounded by carved pumpkins with glowing faces.
    A group of five witches in dark robes and pointed hats gather around a cauldron, casting spells in a misty forest setting with bats flying above.
    A whimsical character with a pumpkin head, wearing a green shirt, holding a green and red lightsaber against a warm background.
    A skeleton standing in mist under a full moon, creating a spooky, atmospheric scene.
    Two skeletons dancing in a dimly lit ballroom with chandeliers, blue curtains, and candles, under a full moon backdrop.
    A silhouette of a horse galloping at sunset, adorned with a purple cape and carrying a carved pumpkin.
    A decorated front porch with glowing jack-o'-lanterns, a broom leaning against the door, and a Halloween banner spelling 'DR'. The scene is adorned with autumn leaves and string lights.
    A group of elegantly dressed individuals in black attire and decorative face masks, posed in a dimly lit room adorned with chandeliers and cobwebs, creating a mysterious and festive atmosphere.
    A colorful scene featuring various whimsical monster figurines in vibrant hues, surrounded by an array of multicolored balls.
    A dark, atmospheric street scene featuring a group of eerie figures in Victorian-style clothing, with ghosts and skeletal creatures hovering above. The figures, mostly women, are dressed in black, while carved pumpkins illuminate the cobblestone ground, creating a spooky Halloween ambiance.
    A wooden shelf displaying various glass jars and bottles filled with colorful liquids, some illuminated by candles, creating a mystical potion cabinet aesthetic.
    A spooky silhouette of a castle with tall spires against an orange and foggy background, illuminated by glowing Halloween jack-o'-lanterns.
    Two brightly colored skeletons, one green and one orange, sitting and engaging in conversation against a black background.
    A collection of carved pumpkins with glowing faces, surrounded by small figurines and candy wrappers, under a full moon.
    A collection of carved jack-o'-lanterns with glowing faces, set against a dark background featuring a crescent moon.
    A whimsical night scene featuring a brightly lit carousel with animated horses, surrounded by playful ghostly figures and mischievous goblins at a carnival. The background showcases a clock tower, adding to the festive atmosphere with tents and vendors.
    A colorful, decorative spider with a patterned body hanging from a pink thread in a spider web, with shiny pink ornaments in the background against a purple backdrop.

    This album has been a true journey of perseverance. I started writing back in October 2025 and finally crossed the finish line in July 2026. That is nine months of late nights, endless drafting, and countless polish passes to get every single detail right. Writing this album was equal parts fun and challenge, but every hour spent tweaking lyrics and refining melodies brought us closer to where we wanted to be.

    Finding the Fun in the Friction

    Here is how I work: I draft, and then I do meticulous polish passes. On almost every track, those extra rounds of editing revealed a hidden gem waiting to be uncovered.

    My son turned out to be my biggest inspiration for the most fun, upbeat tracks on the record—especially all of the skeleton songs! His energy and imagination pushed me to lean into the playfulness of those tracks:

    • Skeleton Fred originally started with a tiny continuity slip where the same character had two different names. Instead of fixing it quietly, we leaned all the way in and made them both named Fred.
    • Skeleton Twist quickly became my son’s ultimate favorite—it turned into our go-to track for spontaneous living room dance-offs!
    • Skeleton Tango finally gave us the chance to execute the single joke a skeleton dance song owes you: the arm falling off mid-dip!
    • Potion Commotion started with a bridge that simply described a xylophone—so in the rewrite, we blew up the potion instead.
    • Gargoyle’s Lament had a bridge listing French horns, which we replaced with the story of the sculptor who gave him eyes but no life.
    • Cackling Carnival traded a plain list of instruments for a persistent carnival barker who refuses to let you leave.

    The Craft of the Edit

    Beyond individual songs, we kept a running watch list of words that were getting overused across the album—things like candles, moonlight, and shadows.

    To make the overall listening experience cohesive, we got strategic: we assigned candles specifically to “Carve It Out” (since that song is literally about lighting them) and cleared them out everywhere else. Shadows went strictly to “Reign of Shadows.” That kind of unglamorous, line-by-line bookkeeping is what transforms nineteen separate holiday songs into one polished, crafted album.

    That is the difference I am always chasing. A recycled novelty song gets played because it is familiar. I want these tracks to get played because they are genuinely good—because every bridge earns its place, every rewrite improves the story, and every image finds its right home. The jokes and the heart are usually already sitting in the song somewhere; my job is to log the hours, persevere through the rewrites, and get out of the way.

    We got there, and I couldn’t be prouder to share it with you!

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    Why Pre-Saving A Folklore Christmas Means the World

    (And How It Helps You!)

    If you’ve ever wondered why artists are always asking you to pre-save their upcoming music on Spotify, here’s the secret: it’s the single best way to make sure you don’t miss a beat, while giving independent music a massive boost!

    Whether you’re excited for the spooky ghost stories or the tales of the glories of Christmases long, long ago, here is what pre-saving actually does for you, and for the album:

    • It drops right into your library on launch day: The moment A Folklore Christmas goes live, Spotify will automatically add it straight to your Liked Songs and library. You won’t have to search for it, set a reminder, or worry about missing release day.
    • It feeds the Spotify algorithm: Algorithms pay close attention to pre-save numbers. A high pre-save count signals to Spotify that listeners are eager for these songs, which helps push our holiday tracks onto official curated playlists, radio feeds, and recommendation charts for brand new listeners.
    • It helps independent music thrive: Every single pre-save gives independent artists a louder voice on major streaming platforms, helping us share these rich holiday traditions and old-world stories far and wide.

    It only takes one click, but it makes a huge difference!

    Pre-save A Folklore Christmas on Spotify here