How does faith influence songwriting?  Faith shapes songwriting by providing a framework for meaning, a vocabulary for transcendence, and a tradition of communal music that emphasizes songs serving a purpose larger than entertainment. Many of the most enduring songs across genres are rooted in a songwriter’s relationship with something larger than themselves.

My First Musical Home

I was a little girl standing in the soprano section next to women who had been singing in that same choir for decades, learning to blend my voice into something much larger than it could be alone, to listen as much as I sang, to lift a melody above a harmony and know intuitively when to carry and when to pull back. Church music gave me my first understanding that songs have a purpose that goes beyond entertainment or performance. They can carry someone through a grief they cannot name. They can open up a room in ways that words alone never could.

That understanding has stayed with me through every kind of music I have made since then. Every album I have released in 2026, whether it is explicitly faith-based or not, carries that quality in it somewhere. The sincerity. The sense that a song is meant to land somewhere real in the listener and mean something when it does. That quality comes directly from years of making music in community, in worship, in service of something larger than the performance itself.

How Does Faith Influence My Music?

Faith influences my music on two distinct levels. The first is direct: albums like Chosen by Grace are explicitly about the experience of being held by grace, about reaching toward something larger than your own effort, about the profound relief of being loved without first having to earn it. Those songs are grounded in specific spiritual conviction and they do not pretend otherwise.

The second level is more diffuse but equally present throughout my catalog. Faith shapes the way I understand what songs are fundamentally for. I believe music matters beyond entertainment. I believe a song can reach into a person and change something, or at minimum make them feel less alone in what they are carrying. That belief is entirely formed by years of making music in community contexts where the purpose of the song was always larger than the song itself.

What Did Classical Training Give You as a Songwriter?

Training as a first soprano gave me an understanding of how individual voices create together something that neither could achieve alone. It gave me ear training that is audible in how I approach song architecture. It gave me a high standard for what music can actually be when everyone involved commits completely to what they are making.

I am still an active singer in my church community and it keeps me genuinely grounded in why music matters. On the days when the industry side of things feels loud and metrics-driven, singing in a room full of people who are simply trying to connect to something larger than themselves brings me back to the essential thing. The choir loft was the first room that shaped me as a musician. I am grateful for every room that has shaped me since.