Let me be honest with you today. Like, really honest. The kind of honest that might make some industry people uncomfortable. That’s fine. Pull up a chair.
I want to talk about sync licensing, about what it actually costs to be an independent musician trying to get her music into the world, and about a specific frustration that has been sitting in my chest for a while now.
Here goes.
I love making music. I love it with my whole heart and I have committed this entire year to proving that, one album a month, every month, twelve months straight. The music is there. The songs are real. The heart behind every single track is genuine.
What I don’t have is unlimited money.
Here’s a reality of being an independent artist that nobody talks about enough: recording is expensive. Wildly, surprisingly, sometimes devastatingly expensive. Last year I recorded a song in my own room, my own space, using my own setup, and then emailed my producer to mix and master it. One song. Four hundred dollars. For ONE song.
Not a full album. Not a professional studio session. One song, mixed and mastered.
So when a sync licensing company charges over a hundred dollars just for the privilege of MEMBERSHIP, before I’ve pitched a single song, before anyone has heard a note, just for the door to be open, you will understand why I have feelings about that.
TAXI is one of the most well-known sync licensing platforms for independent musicians. And they do get placements. I know that. I am not here to say the service is worthless. But I am here to say that for an independent artist on a tight budget, the membership cost is a real barrier. It is money I could put toward producing another song. It is money that represents a genuine choice between two things I need.
And then, on top of the cost, many of the listings specifically say: no AI music.
No AI music.
I use Suno AI to produce my songs. I have been completely transparent about this. I use Claude to collaborate on lyrics. I use AI as a creative partner and a production tool because it makes my music possible at a scale and a pace that would otherwise be financially out of reach for someone in my position. AI is literally how I have released an album every month this year.
And I am being told: not here.
I genuinely want to understand the reasoning. I do. I know there are copyright questions around AI-generated music. I know the industry is still working out what it means and how to categorize it. I am not pretending those questions don’t exist.
But here is what I also know: the music I make is emotionally true. It is lyrically specific. It is performed in my voice, with my creative vision, telling my stories. The tool I use to produce it does not change any of that. A paintbrush does not make the painting. Neither does a production platform.
So where does that leave me? It leaves me here, writing this blog, asking YOU to be my sync licensing department for right now.
I am serious about this. If you use my music in your Instagram Reels, your YouTube videos, your TikToks, your podcast intros, your content of any kind, you are doing exactly what sync licensing is supposed to do: putting music with visuals and letting the combination reach new ears. You are helping me find the audience that the traditional gatekeepers are not quite ready to let me reach yet.
Tag me. Credit me. Share the link to my streaming profiles. Tell your friends. Put my songs in your playlists. Every single one of those actions matters more than you know.
The industry will catch up. It always does. Until then, I have you, and honestly? That means everything.
Stream Mixtape Mindset on Spotify, Apple Music, Amazon Music, Deezer, and Pandora. Follow me on Instagram, YouTube, and Facebook. And get on my email list so you never miss what’s coming next.
If this post resonated with you, share it. Other independent artists need to know they are not alone in this. And music fans need to know that their support is not a small thing. It is the whole thing.




